This post marks the third installment of our Photographer Interview Series and features one of my favorite New York City street photographers, Markus Hartel. Taking time out of his busy schedule for a little Q&A, Markus sits down with us to discuss street photography in the Big Apple.

Back in June, I commented about the desire to publish a series of photographer interviews from around the world. This series is open to all photographers, both amateur or professional, who have a story to tell. I love reading about other photographers; what they do, how they got started, their challenges as well as accomplishments. I hope you enjoy the series and if you would like to participate, simply contact me. I’d love to hear for you!

What makes you photograph strangers in the streets of New York City?

I always had an interest in photography, but when I moved here in 2003, I immediately noticed little slices of life happening around me and picked up a camera. Eventually street photography became my passion and I didn’t stop yet.

Do you have any tips on shooting people in the streets without feeling like a creep?

Sure thing – anything is fair game to get photographed in public places, including people (in the US at least). To get the creepiness out of the equation, be open about what you do, don’t sneak up on people and make your camera visible before shooting.

Does it upset you when people compare your work to other photographers?

No, this does not upset me in the least, as I feel that my work is pretty unique… this is also a reason, why I share tutorials – it gives other photographers a chance to get the technique right, but they would never take the same photo.

Do you ever get tired of doing street photography?

I wish I had more time for street shooting, next to a day job and editing, but one can not be creative 24/7 and a street photographer deserves a break every once in a while – it’s always a good thing to refresh your batteries and look at things from a new angle.

If you could choose one camera and one lens to work with for the rest of your life, what would they be?

If I had to chose from the equipment I own right now, it would be the Leica M8 with a 21mm (28mm FOV) lens. On the other hand, if I had a chance to chose new gear, it certainly would be a full frame Leica M9 with a fast 28mm lens. The gear doesn’t necessarily make a difference, but I love the Leica for its simplicity.

See more great New York City Street Photography by Markus Hartel